Embroidery as a Source of Palestinian Identity

      Comments Off on Embroidery as a Source of Palestinian Identity
Spread the love

Among the many turmoil and tragedy of present Palestinian existence, the beauty of Palestinian embroidery is sort of a ray of light that brings a smile to most individuals’s faces. Whether one is living in Palestine or anyplace else around the globe, it is a source of great delight and joy that one incorporates into one’s life, whether or not as pillows and wall hangings to decorate a house, a traditional Modest dress online to wear at special events, a sublime night jacket, or a valueless reward to present a friend. As old workshops and young designers discover new methods to introduce Palestinian embroidery into elegant trendy wear, the survival of this precious heritage is perpetuated and strengthened.

Though some individual options of Palestinian costume and embroidery are shared with points of textile arts of neighboring Arab nations, the Palestinian fashion has its particular uniqueness that’s easily recognized by textile artwork lovers all around the world. Most books on international embroidery current Palestinian traditional costume and embroidery as the prime example of Middle Jap embroidery, affirming its worldwide fame.

How did this artwork kind develop? Really, a research of the event of the traditional Palestinian costume by means of the ages proves that this traditional costume contains historical data that documents centuries of textile-art growth within the area, an artwork type that has somehow amazingly survived to this day. Whether or not one research the ancient traditional easy reduce of the thobe, the history of the headdresses and accessories, the wonderful variety of types of embroidery, the types of stitches, or the ancient origins of its patterns and motifs, one is deeply impressed with the historical richness of this legacy that dates back thousands of years, and which affirms the antiquity of Palestinian existence and roots, and the survival of its historical heritage.

The fantastic thing about the Palestinian costume model had its affect on Europeans ranging from at the very least the tenth to twelfth centuries AD, during the Crusades. Arab kinds were copied in Europe, as documented by several European historians. The sturdy trade between the Arab world and Europe through the thirteenth to the sixteenth centuries AD, in the course of the European Renaissance, was another instance of the spread of Arab textiles and embroidery to Europe. This resulted in Arab embroidery patterns being copied into European sample books beginning in 1523 in Germany, using the newly discovered printing press, and spreading rapidly by way of translated versions to Italy, France, and England. Ranging from the eighteenth century, Europeans touring the Middle East described the fantastic thing about Palestinian costume and embroidery, and took embroideries back dwelling as souvenirs, considering them non secular artifacts from the Holy Land. In his book History of People Cross Sew (1964), the historian Heinz Kiewe presents a chapter on “Ancient cross sew symbols from the Holy Land,” in which he confirms his “belief within the frequent, Palestinian supply of these designs” used in European people embroideries, because the patterns used in Palestinian traditional dresses have been considered of religious significance and copied into European folks embroidery during the last a number of centuries for that reason. He mentions, for instance, basic Palestinian patterns such as the eight-pointed star and reesh(feathers), whose acquired European names became Holy Star of Bethlehem and Holy Keys of Jerusalem. Kiewe additionally mentions the switch of Palestinian embroidery patterns to Europe by St. Francis of Assisi and their use in church embroideries, which had been recopied in the nineteenth century by the embroidery workshops of Assisi, whose embroidery fashion grew to become famous all through Europe. In the early-nineteenth century, a number of European missionary groups collected Palestinian costumes and embroideries for display in Europe, normally for church exhibits. These collections eventually found their means into essential European museums and characterize a number of the oldest extant pieces of Palestinian embroidery.